Tintypes were tiny images but, when properly exposed and processed, rendered fine detail. They were used primarily to capture full-length portraits. Tintypes were also durable and thin enough to be mailed in a letter. the dollars charged for paper photographs. A tintype could be processed in minutes and was inexpensive, costing anywhere from a nickel to a quarter vs. The photographers who took ferrotypes and the customers who bought them from 1856 through the turn of the 20th century called them “tintypes,” although they contained no actual tin. The ferrotype was a direct positive image in black, gray and silver pigment supported on a sheet of ferris iron. Bonney (as the man we call Billy the Kid called himself at the time). Drawing on what tintypers themselves said about their craft, the common procedure for posing and taking a picture, and the visual information contained in the image itself, it is possible to reconstruct with reasonable accuracy the 1879–80 “shooting” of William H. To understand the anomalies in the image and the damage it has sustained, one must understand how a tintype is fabricated, taken and processed, and how it weathers the years. The poor condition of the tintype speaks for itself. It’s high time for a closer look at his photograph, perhaps the world’s most famous tintype. Historians continue to study him and learn more about his life (mysteries do remain, of course). Billy has long been a frontier legend now the only known photograph of him has become legendary. Koch naturally created a buzz that extended beyond the outlaw and lawmen aficionados to the public at large. The one and only authenticated photograph of Billy the Kid sold at auction in June 2011 for $2.3 million-the highest amount ever paid for a historic image of the American West. The tintype may be as tarnished as the outlaw himself, but it has obtained legendary status as a one-of-a-kind treasure. Thomas in Minnesota.How the Only Photo of the Most Infamous Outlaw in the American West Came About Close Hausmann is an assistant professor of history at the University of St. Half academic monograph and half narrative romp, Thunder in the West is bifurcated into two equally important sections, much like Billy the Kid himself.ĭr. In novels and movies, Billy's story lives on to the present day, a tale of romance, youth, and violence that maintains its tragic appeal. From his largely unknown early life to the critical year of 1878 to his death at the hands of Pat Garret in 1881, Etulain explains both the life and the context of Billy, and spends an equal amount of time on the young mans afterlife. In Thunder in the West: The Life and Legends of Billy the Kid(U Oklahoma Press, 2020), historian Richard Etulain, emeritus professor at the University of New Mexico, tackles both the real life story and the ever-changing legend of Billy the Kid. His short life made an outsized impact on American folklore and popular culture, and his story has been told and retold for a century and a half after his death. Bonney, aka Billy the Kid, is one of the most well known figures from the American West.
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